an interview with Chris Packham, curator of 'uninteresting photographs'
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is doing ultraviolence against my shaky mental health.
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luxury development and the vanishing of the city
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is an oubliette
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and some places I simply passed through.
a history of losing myself
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a hidden history of fish, finance and fucking.
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is a collaborator.
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Arthouse cinema has a substance abuse problem
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Ashford, I see you.
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is exhausting, but somehow beautifully so.
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welcome to the meal-deal aesthetics of modern power.
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